1.0
追凶五十年
大陆2002其它
添加: 2002-03-30
主演: 李梦男,郑强,张立,张建新,齐琦,刘雨哲
简介: 1949年,解放军某卫生院队长高庆祥,受生命垂危的徐团长之托,去小山村接徐团长的女儿小燕(blog)。谁知在横岭镇,小燕突然失踪,后被人杀害,死时手中攥着一个糖猴,高庆祥痛不欲生。回到卫生院后,他在死不瞑目的徐团长面前庄重发誓:一定要抓住杀害小燕的凶手,为孩子报仇。当晚,高庆祥的婚礼也不欢而散。  两年后的肃反中,横岭镇抓获了一名血债累累的反革命分子张金华,嚣张地称小燕也是她杀害的。高庆祥赶到并在他家中搜出了吹糖人的工具,让他当面吹出糖猴。谁知在张金华被枪毙的第二天,又发生了和当年小燕一样的惨案,又一个女孩被先奸后杀。在案发现场也发现了一个糖猴,这个糖猴比张金华吹的更复杂,肚子里有糖稀,孩子们都叫它“猴拉稀”,只有吹糖猴的高手才能吹得出来。张金华的老婆和儿子小山找上门来,要求把案情弄清楚。  卫生队就要进城了,高庆祥却要求复员留在了横岭镇派出所,他要实现自己的誓言(听歌),抓住凶手,保证这一方山村的平安。但事隔久远,线索全无,二十年来破案无望,爱人无奈和他离了婚,高庆祥无怨无悔,始终盯着嫌疑人——疯疯傻傻的赵松林。  1972年,自以为逃过法网的嫌疑犯赵松林再次作案,用糖猴把女孩荆花骗上山,正要下手,幸亏高庆祥及时赶来。案犯赵松林仓皇出逃,高庆祥全国各地追寻。  转眼高庆祥已年国古稀,被送进养老院,对五十年无结果的追凶历程他百感交集,以为抓获凶手已成泡影,谁知听说养老院还有一个叫高庆祥的老人,他才发现这个和他同名同性的人,正是他找寻五十年的凶手赵松林。可此时已无人能证明赵松林的真实身份。高庆祥找来吹糖人的工具,引得赵松林吹出当年在犯罪现场多次出现的罪证——“猴拉稀”,高庆祥死死抓住赵松林的手腕,半个世纪的夙愿终于实现。
966
详情
总路线
5.0
HD中字
5.0
总路线
其它1929其它
添加: 1929-11-07
主演: Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev
简介: Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
920
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